Intertwined

The first time I remember appreciating large-scale string art stands out because Brian and I were on our second date. (A proper introduction of Brian forthcoming!) We went to an adults-only event at Science Museum Oklahoma, where there was an impressive floor-to-ceiling string-art installation alongside a staircase. In the name of science, we played in the mirror maze, tossed a big frisbee, drank cocktails, dodged flying ping-pong balls, and ate liquid nitrogen cheese balls that gave us smoky breath. Or maybe we just smashed the frozen puffs with a hammer? That part is fuzzy. But the string art stuck with me as something I’d like to try.

I pondered the best location and color combinations. I browsed Pinterest. But what eventually propelled me was the appeal of a low-tech garden trellis made with wood scraps and readily available supplies. I especially liked the thought of bright, orderly strings among the green, beautiful mess that my garden becomes by late summer. And then I decided to place the temporary installation just where the morning glories have climbed for the last three summers. I enjoyed the bare strings for a while, but eventually the tendrils found them and the mass of vines has climbed higher than ever before.

Here’s the incomplete life cycle:

May 2
My first attempt at string art: a trellis for my morning glories!
June 21
#happyplaceimage
July 13
happy place (my porch)
August 20
late summer front gardenstring art
Sometime this winter I’ll disassemble the trellis. I am certain that removing the vines is going to reveal a tangled mess of string — a result of warped wood and tension that caused nails to pop out of the board. I’d like to create something semi-permanent in the yard and/or house, but with different, more resilient materials. Please share suggestions!

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